7 Days in Entebbe True Story Review Imdb
everything just the dancing
In July 1976, an Air France flying from Tel-Aviv to Paris gets hijacked on a stopover in Athens. The leaders of the group are Brigitte Kuhlmann (Rosamund Thruway) and book publisher Wilfried Böse (Daniel Brühl). They are German revolutionaries trying to reclaim the initiative after their group faced setbacks at dwelling house. They are joined past Palestinians looking for revenge confronting the Jewish country. They force the plane to fly to Entebbe, Uganda where they have friendly unstable dictator in President Idi Amin. In Israel, defence minister Shimon Peres (Eddie Marsan) pushes for aggressive action while Prime Minister Yitzhak Rabin is cautious in the face of overwhelming odds.
This true crime thriller is 2/three bang-up and one/3 meh. Certainly, the hijacking is compelling and the ii Germans are fascinating in their naive radicalism. They are over their heads as they slowly drown in the puddle of their own making. Even a minor character like Idi Amin is terrific. The second dandy thread is the Israeli political leaders. Eddie Marsan is a dandy role player in a juicy part. The least compelling is the Israeli soldier and his dancer girlfriend Sarah. While her concern is still life and death, information technology pales in comparing to the other threads. The modern trip the light fantastic toe show is a disruption in the story flow peculiarly in the climatic action third human action. Cutting back and along between the airport and the modernistic trip the light fantastic toe is simply a failed endeavour at an creative flourish. Doing the airdrome straight would be more intense and more compelling. Also, Netanyahu should probably exist the leading soldier character in the picture show rather than the kid with his girlfriend. Overall, I actually like the 2/3 and the 1/3 doesn't sink information technology.
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Simply didn't piece of work for me
Most of us (including me), when we heard about the new pic 7 DAYS IN ENTEBBE, idea to themselves "didn't they just brand this film a few years ago...?" The answer is aye. A similar film to this - RAID ON ENTEBBE - was a Television receiver movie made a few years ago - 42 years ago, to be precise. Information technology starred Peter Finch, Martin Balsam, Jack Warden and good ol' Charles Bronson. Fabricated a mere few months after the truthful events, this slapped together movie was an former-fashioned "shoot 'em up."
This film is most definitely non.
vii DAYS IN ENTEBBE tells the truthful story of the 1976 Air France Hijacking of (more often than not) Israeli citizens that settle in Entebbe, Uganda (nether the leadership of crazed dictator Idi Amin) - refusing to negotiate with terrorists, the Israeli government plan, stage and execute a daring rescue mission.
Sounds like a pretty good plot for a Charles Bronson shoot-em-up.
In this version, Manager Jose Padilha (the 2014 remake of ROBOCOP) decides to focus nearly of his attention not on the hijacked Israeli citizens, but rather, a pair of High german hijackers juxtaposed confronting the political infighting in Israel between Prime Minister Yitzhak Rabin and Defense Minister Shimon Peres. The Israeli governmental infighting was interesting to watch with intriguing characters and cat-and-mouse dorsum-stabbing politics while the plight of the kidnappers was underwritten and underwhelming. Consequently, this moving-picture show was "just okay".
Oh...and it had about an hour-fifteen minutes of content stretched over an hour-forty-five minutes, so to stretch things out, Padilha decided to cut back and forth between the action (what there was of it) and a mod dance recital. Clearly he was trying a metaphor of the dance punctuating the emotions and deportment elsewhere. It just didn't work for me.
Neither did this moving picture. Skip this one and check out the Charles Bronson shoot-em-upwards.
Alphabetic character Class C+
5 (out of 10) stars and you tin take that to the Bank(ofMarquis)
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A tension-free vii days
'Entebbe' is a film that should have worked and should have been skilful. It had a very talented cast, it is difficult not to get wrong with Daniel Bruhl, Rosamund Pike and Eddie Marsan judging from a lot of their previous work. It also is based on and tells of a remarkable and hard-striking true story.
While non a terrible pic, despite sharing all of many people's complaints of 'Entebbe' information technology is not as quite as bad to me as some have made out because there are a few plus points, 'Entebbe' should take been much meliorate and that information technology screwed up in such an underwhelming mode is frustrating. It really does not do this incredible story justice and the cast are all amend than this and deserved better. Didn't come out feeling insulted or offended watching 'Entebbe', at the same fourth dimension the film left me disappointed and frustrated.
There are plus points here. Daniel Bruhl and Rosamund Pike actually fare very well in the lead roles. While Bruhl's every bit expected thoughtful, gravitas-filled and charismatic performance keeps one glued Pike impressed me more in the more challenging role (including having a German language accent, not an piece of cake i to master and one stereotyped very variably a lot, and having plain to learn German language, thought though she was fluent in the language already) and the i that the film tries most to develop.
'Entebbe' starts off intriguingly and there are parts where the production values have slickness and atmosphere. There is 1 scene that did accept emotional bear on and did get out me haunted, that was Thruway's telephone scene.
Notwithstanding, the rest of the cast don't fare and then well and it is largely down to the mode the characters are written. Eddie Marsan is only bizarre and how Peres is written and characterised felt wrong and out of kilter. Nonso Anozie is nowhere about sinister plenty as Amin, the man was a monster and Anozie completely fails to bring that on screen. Ben Schnetzer's office doesn't make sense and felt under-developed. The chemistry between the actors is very disconnected, on the about role this is including between Bruhl and Pike through no mistake of their own.
It's non the cast that are to blame here. The i-sided and biased way the roles are written, including trying to humanise the lead characters, making Peres' and Amin'south roles one-dimensional and painting the Palestinians in an objectionable light, is more of a trouble. Even when trying to tell the events from multiple, even all, view-points which fails to tell one very much and speedily became over-stuffed.
Every bit is the less than taut and rather preachy script, that runs out of steam far too quickly and it constantly feels we are running in circles with nothing new being told and being told the obvious and the same thing more once. The management is both pedestrian and gimmicky, ofttimes muddled and like not-knowing-what-to-do-with-the-textile standard, and as well often the production values are drab and dizzying, the dull motion in the final raid was not necessary, trivialised the already too downplayed violence and made me feel uncomfortable. The scene should take been tense but was anything but, feeling too much like an afterthought.
Much has as well been made of the use and cross-cutting of modern dancing. This was overused, out of identify, gimmicky and non fifty-fifty that well choreographed. It really diluted what piddling tension there already was and it made it very hard to take the film seriously. Found it very annoying and even disrespectful that 'Entebbe' had this suspense-filled and riveting story and make information technology dull and devoid of tension and suspense, with what should have been the most prominent and compelling events (the planning of the raid and the raid itself specially) being given curt shrift and treated in a far too safe manner. What was more prominent and significantly less interesting was handled turgidly and in a biased mode. It felt like in that location was little at pale when there was actually a huge amount.
Overall, a disappointing movie that has pluses but also a lot of minuses. The bandage and the story deserved ameliorate. iv/10 Bethany Cox
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The dance sequence ruined it.
Warning: Spoilers
Interesting story - told from different perspectives.
Sadly the movie is completely ruined by an utterly pointless dance sequence that is inserted at random moments in the moving-picture show.
At the climax of the motion-picture show, when the rescue operation is underway, the tension and flow is completely ruined by the fact that at least half the time, scenes from the pointless dance sequence are shown. Even if there is some cocked explanation for including this, it does non serve the story; in fact information technology halts the narrative entirely.
They finish up going all in with this nonsense, Terrence Malick-style, at the end credits: another dance sequence, this one even more than baroque and unnecessary.
Had they left out this ridiculous, pretentious, utter inexplainable garbage it would accept been a one-half decent, albeit very boring moving picture.
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I don't know how y'all wreck a story this expert.
Warning: Spoilers
Should have been good...but information technology wasn't. As a 15 year old I was early in my social consciousness when this hijacking took place. I call back the concern and the tension felt fifty-fifty here in the U.s.a. over the fate of the hostages and the jubilation I felt when they were rescued. The real life events had it all...the Israeli/Palestinian conflict, a bold hijacking, a daring and unlikely rescue, fifty-fifty the flamboyantly dangerous Idi Amin! All elements for really good cinema but it didn't work in this instance. A lot of effort was spent on humanizing the hijackers/terrorists just little on the humanizing of the hostages. Aye we all know that terrorists are fighting for a cause. It'south their methods that are so objectionable. They impale innocent people to brand their point, which is never justified; I don't desire to identify with them. The artsy odd dance routine was splendid and interesting. Unfortunately, it added nil to the story, it just distracted from the human drama. The movie was poorly done enough that it became a welcome distraction toward the finish.
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Action Mixed With Interpretive Trip the light fantastic Scenes - Fail
Information technology'due south not piece of cake to follow this story because information technology'due south intercut with ever more interpretive dance scenes. The final actions scene must take been one of the worst cut and most pretentious action I've e'er seen. There take been many movies imitating The Godfather's intercutting of violence with other rituals of club, only this picture show takes the care. I've rarely seen annihilation this ridiculous.
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Drama about terrorists feelings and very niggling of anything else
After, at least, two movies already made about this hijaking in the past, you'd expect a 2018 film bringing some more details of it and the unbelievable military performance, to light. Otherwise, why make yet another movie about Entebbe? Well, apparently the moviemakers wanted the audience to encounter a "human" side of hijackers. 7 days in Entebbe is near how uneasy feelings, grievances and ,believe information technology of not, attempt at redemption of terrorists. That's where the focus lays, non on men, women and children under a gun, or Israeli special forces unit of measurement which conducted an operation which, since then, never been matched. At times the movie felt like a 2nd rated prime number Television set flick than annihilation else: with poor screenplay, editing, scenery sets and pathetic attempt to depict a battle to free the hostages.
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Lacks real insight, only is well made
Written past Gregory Burke, and directed by José Padilha, Entebbe has met with near universally bad reviews (22% approval on Rotten Tomatoes at the time of writing), and while it is without doubt flawed, it'due south non near as bad equally has been made out. Telling the story of the 1976 AirFrance hijacking by Palestinian and German revolutionaries, and subsequent Israeli Defence force rescue mission (Operation Thunderbolt), the film is presented from multiple points of view; Revolutionäre Zellen members Brigitte Kuhlmann (Rosamund Pike) and Wilfried Böse (Daniel Brühl), Israeli Minister for Defence Shimon Peres (Eddie Marsan), Israeli Prime Minister Yitzhak Rabin (Lior Ashkenazi), IDF Pvt. Zeev Hirsch (Ben Schnetzer), AirFrance 1st Engineer Jacques Le Moine (Denis Ménochet), IDF Lt. Col. Yoni Netanyahu (Angel Bonanni), and Ugandan President Idi Amin (Nonso Anozie).
The trouble is obvious; the moving-picture show covers every point of view except the most important one; the Palestinian. Indeed, the only Palestinian given any kind of development is a fictional graphic symbol played by Omar Berdouni, who talks of Israeli tanks driving over a auto in which his family were trapped. And at that place are other foreign omissions; the death of Dora Bloch (Trudy Weiss), murdered on Amin's orders after she was released in Kampala, is never mentioned, and Wadie Haddad is nowhere to exist found. Additionally, the flick doesn't have much of contemporaneous relevance to say in relation to the Arab-Israeli Conflict, other than alluding melancholically to the cocky-propagating nature of the violence, and the unlikelihood of peace (the closing fable points out that after he pushed for negotiations in 1995, Rabin was assassinated past a Jewish extremist). However, information technology'southward aesthetically very well put together, and the juxtaposition of Thunderbolt with a Jewish dance number works much amend than it has whatever right to. True, it doesn't get to the heart of the affair past whatsoever stretch of the imagination, and information technology could be defendant of taking a pro-Israeli stance, but it's enjoyable enough, and worth a wait.
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A low-budget remake of an extraordinary upshot which leaves out major parts of the story and slants others.
The fact that the raid also took out most of the Ugandan Air Force on the ground was never mentioned. And in the concluding credits and 'what and so happened' in that location was no mention of the fact that the Air France captain was awarded the Legion d'honneur , and the residuum of crew received gallantry medals for staying with their passengers throughout, was not mentioned. That will not go down well in France. The trip the light fantastic routine 'overlay' of the actual raid is both ridiculous and overdone. The political slanting of the whole has been well covered by others.
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vii days in entebbe
The ending was annoying generally because of the frequent crosscutting betwixt the dancing sequences and the action taking place. I don't know what it was supposed to mean, simply it was just irritating. And there was a subplot with one of the Israeli soldier and his girlfriend, that didn't add together anything to the story, why information technology was included is a mystery to me. the storyline was expert but the slow pace didn't help it.
On the contrary, seven days in entembbe was well-acted, and the cinematography was crawly. the score was amazing just tin be overbearing at times.
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How do you mess upward a story this good?
Warning: Spoilers
To cut right to the bespeak reading almost this incodent on wikipedia was more than interesting than watching this dry out movie. The dance sequence mixed with the activeness at the end completed the absurdity
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Well washed
I thought the actors were superb, and the cinematography was excellent. Having seen the other three movies on the bailiwick, this was the really the best.
I tin see how the Netanyhu family did not want it made, as information technology destroys the myth of Yoni Netanyhu, the hero (the basis of younger brother Bibi'due south political career).
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Decent movie that is distracting with trip the light fantastic sequences
Alert: Spoilers
The story is decent, just the trip the light fantastic sequences really are distracting. As well the last rescue mission is near a coincidental sequence in the movie. They leave out the iii passengers that died and the 1 Amin murdered.
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Entebbe attempts to explore political revolutionism and oppression with uneven results.
A scenario I've never acknowledged, Daniel Brühl and Rosamund Pike, all vital (nonetheless very specific) ingredients that I personally search for in mod thrillers. Honestly these two actors are in my favourites listing due to their by credits, I mean 'Rush' and 'Gone Girl' are infrequent. But in the example of Entebbe, I unfortunately felt aught. Depicting the truthful story of an Air French republic aeroplane hijacking that held passengers hostage in Uganda in an attempt to get Israel to release Palestinian prisoners. On paper, this should be an easy exercise in creating an heady thriller that all the same conveys the revolutionary motives of the freedom fighters. Instead, the script is bogged down in political affairs betwixt the Israeli defence forcefulness and the prime number minister where more time should've been spent portraying the hostage situation. It's but incredibly uneven, both in the screenplay and its pacing, which ultimately left me underwhelmed and occasionally bored. Throughway and Brühl are excellent yet again, they both have moments where they shine above the dull dialogue. Still when communicating together, there was no chemical science. They didn't piece of work well as a unit, and unfortunately it's obvious. The offset act, which involves the plane hijacking, built up tension supremely well every bit the freedom fighters increase the charge per unit of threats and divulge into their ideology. The 3rd act was also well executed as the Israeli defense force force attempt to infiltrate Entebbe airdrome. The 2d act though, oh dear. Overlong, unexciting, tediously wearisome and a waste of talent. The pacing dipped substantially, to a indicate where I nearly roughshod asleep. The frequency of political monologues and conceptualising revolution was too high, there was no effort for character development. Too, Marsan was unusually monotonous in this, wasn't a fan of his performance. A watchable depiction of a true consequence simply the screenplay felt as well preachy creating a uneven tone. Oh, what was all the dancing virtually? The adult female falling off her chair constantly was irritating me...
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seven/10: A true story which I gave half-dozen/x merely and so
José Padilha introduced interpretative trip the light fantastic toe to the film, which kinda worked... I think, I had to give it an extra signal for the novel idea.... but the jury's still out for me for this one, not certain I'd watch information technology again!
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7 Days in Entebbe (2018)
I think I saw the trailer for this once in recent months so information technology definitely wasn't on my radar at all. Had some time to kill today, and so guess what? Was hoping for a solid thriller based on a real life event. Sadly, the motion-picture show fails to tell a rather interesting story with the spark it probably deserves. I can meet why this film sort of only snuck into theaters without a lot of promotion. Its just not very proficient, and is a forgettable moving picture about an event that could have been adapted better.
The moving picture follows the real life events of two German terrorists (Wilfried Böse and Brigitte Kuhlmann) who along with a group of Palestinian terrorists, hijack an airplane in 1976 in Entebbe, Uganda. Their hopes are to receive a ransom of 5 one thousand thousand for the passengers on lath and the freedom of Palestinian soldiers captured in Israel. The film follows negotiation efforts and the ultimate retrieval of the hostages past the Israeli operative forces.
I'chiliad not very familiar with a lot of Jose Padilha's work but his Robocop remake was a definite misfire. Even hither we take an interesting event and ii very talented co-leads but a story that is but so wearisome and boring. While the movie is shot well, the merits of the writing fall very brusque. Its hard to care for what goes on when the film doesn't actually try to entice yous with any thrill, activity, or moments to brand information technology memorable.
The relevance of the flick and incident is that information technology mirrors the hostility between State of israel and Palestine today, a conflict that has stretched for decades. Other than that, Entebbe has adept intentions but fails. Information technology doesn't exactly have a phonation or brand a argument but just recreates the effect in a half hearted style. The best part was that weird trip the light fantastic toe sequence operation that kept going on during the film.
5.5/ten
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Telling both sides of the story upsets 'anonymous reviewers'
Living in the Us, it's rare to meet a motion-picture show present both sides of a conflict, especially regarding the Israel and Palestine conflict. Correct from the get-go, this picture show takes a position as the neutral observer...are these 'Freedom Fighters' or 'Terrorists'? (probably depends on where you lot live) I came her fully expecting to run across one star reviews upvoted to the height of the folio by fake accounts. And that'south what I found, unfortunately.
If hearing/watching both sides of a story bothers you, so you are, in fact, a propagandist. You're trying to command the narrative and you lot don't intendance nigh what actually happened, or why it happened.
Delight, take a break from your flag waving. It'due south okay to mind to both sides. It's okay for other people to hear both sides. It's okay to acknowledge mistakes made by both sides. This is how we learn.
All that said, it was a bit tiresome lol. Just I applaud the neutral viewpoint and promise to run into many more movies like this.
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Why the trip the light fantastic?
Really intrigued by this rescue and as well read books related to this hijacking. Only the trip the light fantastic really created nonsense metaphor drama. Sorry but very pretentious. Someday the dance comes on I just check my phone or employ restroom except the last scene.
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Good story ruined past interpretative dance.
Warning: Spoilers
This movie had a lot of potential because of the story it is based on just it focuses more than on things that are hardy relevant to the story. Half of the time nosotros follow this lady who like interpretative dance and we find out she gets the function that she has always wanted. During the rescue scene we jump dorsum and forth between her trip the light fantastic recital and the rescue. The scene is very short and hardy shows any fighting at all fifty-fifty though 45 Ugandan guards died in the fight and simply 1 of the good guys died. Those numbers but suggest a well planned out fire fight which I was expecting to meet, however, whoever made this moving picture was not prepared to make a quasi war motion picture and testify the rescue how it was supposed to be shown. At the end of the day this movie is just a huge build up to a huge nothing of an ending.
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Solid dramatization of the 1976 Air France hijacking
A rough and radical history film about the hijacking of the Air France flight in the late 70s. The story is told more often than not out of the perspective of 2 of the terrorist, who were german language and part of the Baader-Meinhof complex. Daniel Brühl plays the leade who more and more than questions what is happening and really realizes they did a fault. Rosamund Pike plays his partner who uses the mission to show herself as a radical. Pike plays a german language character. Her accent at offset is a bit weird but information technology improves during the moving-picture show a lot. By and large she delivers a good functioning but also one of her concluding scenes (the phone scene) she was rather a scrap one-dimensional and underused. Daniel Brühl's character is ameliorate written and Brühl delivers a fine and thoughtful performance. Eddie Marsan had merely 1 facial expression and tone of vocalization during the whole motion picture. He can practice ameliorate. Jose Padilha was delves a fine direction. Particularly the mixture with the symbolic dance scenes which served as a metaphor were amazing. Y'all felt a fleck bad to associate with the 2 leads and actuallly feel slight sympathy. Also there were some little lengths. But all in all its a pretty good film with a topic that once more is just as relevant equally it was dorsum in 1976....
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The history doesn't change
I've seen the doco's and original motion-picture show and indeed was a young 20 yr quondam when this event took place. I must say I'k surprised at so many negative comments. I establish this film very human. The hostages were ordinary people in an boggling issue. The Israeli soldiers, terrorists, Ugandan soldiers were ordinary people from a diversity of backgrounds and experiences come together for all unlike reasons. I do non believe that the moving picture sympathised with the terrorist equally some here accept said. Just I do believe some elements of this picture show compared to our electric current times should be a warning against dispassion. I enjoyed this version of the historical event. I enjoyed the mix of idealism, duty and revenge displayed through and resultant from credo. I besides enjoyed the background of the modernistic theatre even though I'm certain I did not sympathize all of its nuances. To me it showed the continuance of the normality of life during an event of life irresolute proportion.
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Terrible
Sympathizes with terrorists. Also the director idea he would be artistic and mix in a dance scene with the turning point of the film merely it ruined the movie.
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Not always accurate, but a powerfully told story of a notorious hijacking.
If yous desire to feel the tension betwixt Israel and Palestine in an sometime context, 1976, just a contemporary resonance, and then see seven Days in Entebbe, a well-told fictionalized docudrama nigh the hijacking of an Air France flight from Tel Aviv to Paris by The Popular Front for the Liberation of Palestine and Germans sympathetic to the cause. Manager Jose Padilla puts you realistically in the crowded Ugandan terminal and on the tarmac with pirates and soldiers and a crazed Idi Amin (Nonso Anozle) for grim color.
Although this story is a combination of history and fiction, the sense is that writer Gregory Burke got it correct. Join Prime Minister Yitzhak Rabin (Lior Ashkenazi) as he spars with defense minister Shimon Peres (Eddie Marsan) nigh the right strategy for saving the hostages. The movie does well translating the agonizing decisions, against a backdrop of limited time and a time-honored Israeli tradition not to negotiate with terrorists. Never is information technology piece of cake, and the decision volition be fraught with contradictions.
The rescue by the commandoes in the Israeli Defence is told here with chilling clarity that defines the brave troops saving more than than a hundred civilians. As the manager cuts between the Israeli state of war room and the hostage situation, he lets us witness the tension between lead hijackers: sympathetic German, Boni (Daniel Bruhl); and hardcore revolutionary Brigitte (Rosamund Pike).
Although in real life their arc may non accept moved so easily to resisting killing hostages, here the film nudges them into humanism without letting the audience forget they are still revolutionaries and the circumstances toxic. vii Days in Entebbe is a fashion of experiencing terrorism and territoriality up shut and personal.
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A very dull pic. At that place was no tension, no suspense n no activity.
In 1976, two Palestinian and two German terrorists hijack Air France Flight 139 en route from Tel Aviv, State of israel to Paris, French republic via Athens, Greece. They hold the passengers and crew hostage at Entebbe and demanded a ransom of $5 meg for the airplane and the release of 53 Palestinian and pro-Palestinian militants, 40 of whom were prisoners in Israel. When all diplomatic efforts neglect, the Israeli government approves a counter-terrorist hostage rescue operation by IDF commandos.
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Source: https://www.imdb.com/title/tt5466186/reviews/
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